Cigarette Products:

The Social History of Smoking

George Latimer Apperson

Chapter 7:

In Townley's well-known two-act farce "High Life Below Stairs," 1759, the servants take their masters' and mistresses' titles and ape their ways. The menservants—the Dukes and Sir Harrys—offer one another snuff. "Taste this snuff, Sir Harry," says the "Duke." "'Tis good rappee," replies "Sir Harry." "Right Strasburgh, I assure you, and of my own importing," says the knowing ducal valet. "The city people adulterate it so confoundedly," he continues, "that I always import my own snuff;" and in similar vein he goes on in imitation of his master, the genuine Duke. These servants copy the talk and style (with a difference) of their employers; but smoking is never mentioned. The real Dukes and Sir Harrys took snuff with a grace, but they did not do anything so low as to smoke, and their menservants faithfully aped their preferences and their aversions.

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The Social History of Smoking

George Latimer Apperson

Chapter 11:

About the time that Lang's article was written, Sir F.C. Burnand's burlesque, "Bluebeard" was produced at the Gaiety Theatre. In those days a certain type of young man, since known by many names, including the present day "nut," was called a "masher"; and Burnand's burlesque included a duet with the refrain:

We are mashers, we are,
As we smoke our cigar
And crawl along, never too quick;
We are mashers, you bet,
With the light cigarette
And the quite irreproachable stick.

Nowadays the cigarette is in such universal use, that it would be impossible thus to associate it with any particular type of man, sane or inane.

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